Fiona Connor +1 310 951 9459
The cover of this book is a gesture symptomatic of Connor’s approach; it is both oblique and intimate, and it demands we pay a different kind of attention to what is in front of us. It also signals a fascination with reproduction and documentation as a tactic to disrupt the processes of perception, and to bring things closer. The photograph is a portrait of Alex North, a photographer, a friend of Fiona’s, taken by his mother, also a photographer. The title of the book is a phone number belonging to another of the artist’s friends and collaborators; one of the designers of this publication. It is placed under the artist’s own name, the direct dial of a colleague who is also an author of this project.
The cover of this book is a gesture symptomatic of Connor’s approach; it is both oblique and intimate, and it demands we pay a different kind of attention to what is in front of us. It also signals a fascination with reproduction and documentation as a tactic to disrupt the processes of perception, and to bring things closer. The photograph is a portrait of Alex North, a photographer, a friend of Fiona’s, taken by his mother, also a photographer. The title of the book is a phone number belonging to another of the artist’s friends and collaborators; one of the designers of this publication. It is placed under the artist’s own name, the direct dial of a colleague who is also an author of this project.
The cover of this book is a gesture symptomatic of Connor’s approach; it is both oblique and intimate, and it demands we pay a different kind of attention to what is in front of us. It also signals a fascination with reproduction and documentation as a tactic to disrupt the processes of perception, and to bring things closer. The photograph is a portrait of Alex North, a photographer, a friend of Fiona’s, taken by his mother, also a photographer. The title of the book is a phone number belonging to another of the artist’s friends and collaborators; one of the designers of this publication. It is placed under the artist’s own name, the direct dial of a colleague who is also an author of this project.